“Thriller” is perhaps the most difficult movie type to define among all the genres of modern cinema. Here in this article, you’ll know about the Top 10 Thriller movies of all time to watch in 2022
Top 10 Thriller movies of all time
1- Silence of the Lambs (1991)
Johnathan Demme’s masterpiece sits on the edge amongst thriller and horror movies. And it’s one of the few movies in the latter group to ever win Oscars. In terms of blood and ferocity, there isn’t too much. But the matter of subject is rather gruesome. Clarice Starling (Jodie Foster) conscripts the help of imprisoned cannibal Dr. Hannibal Lecter (Anthony Hopkins) in the hopes of shooting down a wicked serial murderer nicknamed “Buffalo Bill” (Ted Levine). Though the grisly hunt would be fetching enough, Demme uses this bloody setting as a way to discover gender dynamics. He also discovers the trauma-worn expressive life of the film’s character. Denunciations around the movie’s handling of Trans issues are well-deserved. But the story is truly far more delicate than the latest wave of censors give it credit for. It is one of the top 10 thriller movies of all time.
Paul Verhoeven’s movies tend to take a seat on the sting of so-bad-it’s-good and truly artful genius. Basic Instinct is one of the Top 10 Thriller movies of all time to watch in 2022. The movie lay down a sort of proto-virality over one chiefly lascivious scene including Sharon Stone. There’s more to the present movie than a pair of lewdly spread legs. Released in 1992, Basic Instinct was quite before its time as far as depictions of sex go. And its high art aspirations had and Times critic Janet Maslin proposing the compliment of relating it to Hitchcock’s oeuvre. But, like all of the simplest movies ever made, Basic Instinct was also rather divisive. It is one of the top 10 thriller movies of all time.
3- Memento (2000)
Early 00’s nostalgia is at an all-time high and there’s a particular retro goofiness to the present bizarre mystery. Nonetheless, Memento is perhaps the sole mainstream movie to ever be told entirely backward during a narrative gesture. It cleverly mirrors the protagonist’s posttraumatic amnesia. The artistic won’t delay, but the avant-garde gesture under the film’s somewhat silly conceit is nearly outrageously ambitious for a mainstream movie. Somehow, the story delivers a substantial conclusion, too.
4- Parasite (2019)
The movie Parasite got its widespread xenophobia to sing its praise! Although it functions perfectly well as a totally unhinged mystery — with a variety of truly unanticipated twists! — Parasite is moreover a moving semi-Marxist commentary on the snags of escaping poverty. And therefore class resentment increasingly fomenting within the underground. Bong Joon-ho had made a series of absurdly amazing movies before conventional critics realized his genius, counting some great sci-fi movies, but Parasite is his best work yet.
5- Mulholland Drive (2001)
David Lynch’s deeply inaccessible nightmares are a number of the foremost divisive movies in cinema history with fans praising his unabashed embrace of surrealism and his critics simply claiming that nothing he creates makes any damn sense. It’s fact that Mulholland Drive doesn’t just have an intelligible plot. But if you’ll embrace the logic of dreams there’s something elegantly exasperating about Lynch’s menacing cosmology. No one could argue the noir-inspired great thing about Lynch’s cinematography, nor could anyone argue with Naomi Watts’ influence as an actress — playing both an immature actress who staggers upon criminal enterprises from beyond this world and a broken-down mirror-world version of an equivalent character.
6- Lady Vengeance (2005)
South Korean revenge movies are essentially their own sub-genre of thriller and Park Chan-wook’s Lady Vengeance is one among its most underappreciated entries. This movie is technically the third during a (very!) loosely related trilogy — and although it’ll unavoidably be compared to its more popular cinematic siblings (Oldboy and Sympathy for Mr. Vengeance), it definitely holds its own. After being released from prison, the protagonist begins a labyrinthine search for the murderer who may or might not have framed her, but she won’t emerge from her quest without considerable blood on her hands. Featuring possibly one of the sturdiest makeup looks in cinema history, the movie may be an optimistic fantasy that’s not for the squeamish.
7- Misery (1990)
Stephen King’s meta-textual short novel a few literary fanatics who captures her favorite author and holds him hostage for her own (sexual?) gratification became a superb and darkly suspenseful movie by director Rob Reiner. Kathy Bates became an unlikely horror icon after delivering this deeply deranged performance and therefore the film’s foot-breaking climax is one among the foremost viscerally nauseating moments ever captured on film. Fun fact: Misery has the rare honor of being the sole Stephen King movie to ever garner an Oscar win.
8- Drive (2011)
Critics claimed that Nicholas Winding Refn’s moody neo-noir was an amateurish example of favor over substance. But Drive’s growing cult of followers counters that style may be a substance when it’s done right. Neon-drenched brutalize landscapes, simple existential dialogue, elegant and exaggerated costuming. It also brutalizes an Italo-disco-influenced soundtrack delivered by Johnny Jewel’s cabal of witchy women elevating what was inappropriately advertised as a rather average action film into the realm of high art.
9- Spellbound (1945)
Hitchcock shaped the design for what would carry on to define the thriller genre, and though his more general or critically beloved films like car window and Psycho surely could have made a spot on this list, Spellbound’s dream sequences — guest-directed by none aside from Salvador Dali — delivers a magical quality to the shows creepy little whodunnit. There’s quite one avant-garde twist here: the 2 frames of red that crop up at the movie’s conclusion represent an early example of experimental usage of color mainstream cinema.
10- Eyes Wide Shut (1999)
Eyes Wide Shut is probably Kubrick’s least appreciated movie. It represents stories concerning underground and ultra-opulent Satanic sex cults that aren’t precisely everyone’s cup of tea. The real-life tension b/w the soon-to-be-divorced Tom Cruise with Nicole Kidman is played up throughout this story about the danger of unanswered lust. Kubrick’s expectedly beautiful cinematic eye is on full show, and Kidman’s notorious monologue about her eroticized memories of a sexual encounter she wished she had pursued is somehow melancholic, disturbing, and heart-wrenching all directly.